Chris Lammiman writes about the new record Shame from OMBIIGIZI, a record that creates a “sense of expansive welcome that does offer invitation into catharsis and beauty”.
Read More
Penelope Stevens reviews the debut album Bird Brain from Edmonton’s Sean Davis Newton, an album that “would be as well-suited on a 2008 indie film soundtrack as in a 1930s cabaret”.
Read More
Josiah Snell reviews the tantalizing new album from Ontario’s Christo Graham, the unreservedly brilliant Music For Horses.
Read More
Jeff MacCallum writes about All Wilds Things Are Shy, the stunning posthumous release from songwriter Richard Laviolette.
Read More
Josiah Snell reviews the "potent and delightful" new LP from The Secret Beach, the wonderfully titled We were born here, what's your excuse?.
Read More
Ava Glendinning reviews the new release revery from Winnipeg's Theresa Thor.
Read More
Chris Lammiman reviews the debut record from Edmonton’s Aladean Kheroufi, which offers “both a warm embrace and an invitation onto the dance floor”.
Read More
Ava Glendinning reviews “That’s the Gods Talking” from Winnipeg band Slow Spirit.
Read More
Penelope Stevens review Hex from Jon Mckiel, a “focused and generous offering” from the New Brunswick songwriter out via You’ve Changed Records.
Read More
Chris Lammiman reviews the new live record from British Columbia’s Empanadas Ilegales, Creepy Mambo: Rooftop Sessions.
Read More
Clay Geddert reviews Diamond Jubilee from Cindy Lee, an LP that “could land amongst the greatest indie albums of all time”.
Read More
Check out Chris Lammiman’s review of METZ new record Up On Gravity Hill, an LP that is “the result of a band that trusts itself enough to evolve”.
Read More
Calgary scene staples Sunglaciers have released an album that synthesizes (in more than one sense) the spring-like power of mutability, liminality, and metamorphosis to create something fresh, exciting, and dynamic.
Read More
Penelope Stevens writes about Bizou from Mothland artist Alix Fernz, calling it “music for punks to dance to”.
Read More
Jeff MacCallum reviews the seventh record, Eternity Mongers, from Canadian indie mainstay Michael Feuerstack.
Read More
Ava Glendinning reviews Toil Boy from Winnipeg band Warming, an album that “transports listeners into a swirling nightlife alight with snapshots of triumph and mishap”.
Read More
Sophie Noel reviews the latest “warm and candid” record from Ontario’s Homeshake, the 9-track CD Wallet.
Read More
Josiah Snell writes about Scenic Route to Alaska’s new record Lasts Forever, a record that “balances its melancholy and hope with an easy confidence”.
Read More
Chris Lammiman writes about the debut record from Ottawa’s Hot Mud, singing the praises of “a very honest and human record that is both witty and cathartic”.
Read More
Clay Geddert reviews Too Hot to Sleep from Daniel Romano’s Outfit, calling it a “collection of ferocious, driving tunes that are guaranteed to increase your average speed by at least 10km/h”.
Read More