Saxsyndrum reach into the vast resources of sound design and pull back a psycho-acoustic experience that tricks your perception of music.
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Salt incorporates the same quintessential post-punk elements of wiry layered guitars, dissonance, reverb, and bass-driven melodies; but with a refreshing twist.
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Mise En Abyme is a rock solid effort from Joni Void that has all the conceptual scaffolding and sonic foundation of a truly exceptional release.
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Softer Faces exemplifies Living Hour’s ability to mature as artists, it’s an album that remains true to their tender selves, but is more expansive and full-bodied.
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A deeply impressionistic record, featuring loose, dreamy, deconstructions of the last 50 years of popular music
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Past Life has its stylistic origins in post-punk, but emerges as more of an electro-goth work of art.
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Big, ambitious ideas about what a pop song can be, while never getting lost in its own artiness to stop being fun.
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N0V3L aims to promote an identify based on DIY ethic, resistance to power, and community collaboration.
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The Gratitude Principle is a release that invites you to sit and soak in it’s textures and sounds.
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Complexion is as near to perfect a noise-rock album could ever be; it solidifies Tunic as the best Canadian band within their genre.
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Swim Team have perfected their unique blend of danceable art-rock with jagged punk energy to make for their best release yet.
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The album plays perfectly from start to finish, offering a profound ability to have its listener ponder all aspects of life on this planet and how we interact with it.
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Time Hasn’t Changed You, is a dazzling balancing act between modern country and soul music that cements the band’s place in the ongoing roots revival scene in the prairies.
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Freedom, Books, Flowers and the Moon is a huge leap forward for Storvold, one that has the folk world buzzing.
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An album from a band having a lot of fun exploring any sounds that command their attention making for an exciting and engaging listen.
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With three different songwriters contributing tracks, the album never dulls and continually offers a new take on indie rock.
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Isaiah delivers group of songs that will command your thoughts long after it’s run time has elapsed.
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There’s an old line of thinking about pop songwriting that says the best pop songs seem as if they couldn’t have been put together any other way.
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Achingly personal in it’s abstractness, and beautiful in it’s chaos.
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Armed with red lipstick, high heels and a jet-black wig, d’Ecco has a gift for writing songs that impulsively make you want to dance.
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