Ava Glendinning reviews Thunder Perfect Mind from New Brunswick’s Motherhood, an album notable for both its comic-book momentum and its value as a work of fantastical sci-fi poetry.
Read MoreChris Lammiman reviews the debut LP from Calgary’s Stucco, the aptly named LP1, “a gem of an album well worth a spin on your way through the streets”.
Read MoreArtemis Peaslee reviews the appropriately ethereal new album Think of Mist from Dorothea Paas.
Read MoreLongtime Cups N Cakes writer JD Ormond returns with his first review in years, a negative odyssey on the subject of the new Holy Void record, All Will Be Revealed In Time.
Read MoreClay Geddert reviews Yoo Doo Right’s album From the Heights of Our Pastureland, a record that “encapsulates all the fervor and tenacity that defines Yoo Doo Right”.
Read MoreCups N Cakes is back from our holiday break with Ava Glendinning’s review of Hildegard’s October 2024 album Jour 1596.
Read MoreChris Lammiman writes about the new record Shame from OMBIIGIZI, a record that creates a “sense of expansive welcome that does offer invitation into catharsis and beauty”.
Read MoreChris Lammiman writes a review of Ontario songwriter and yes, national treasure, Jennifer Castle’s latest record Camelot.
Read MorePenelope Stevens reviews the debut album Bird Brain from Edmonton’s Sean Davis Newton, an album that “would be as well-suited on a 2008 indie film soundtrack as in a 1930s cabaret”.
Read MoreJosiah Snell reviews the tantalizing new album from Ontario’s Christo Graham, the unreservedly brilliant Music For Horses.
Read MoreJeff MacCallum writes about All Wilds Things Are Shy, the stunning posthumous release from songwriter Richard Laviolette.
Read MoreJosiah Snell reviews the "potent and delightful" new LP from The Secret Beach, the wonderfully titled We were born here, what's your excuse?.
Read MoreAva Glendinning reviews the new release revery from Winnipeg's Theresa Thor.
Read MoreChris Lammiman reviews the debut record from Edmonton’s Aladean Kheroufi, which offers “both a warm embrace and an invitation onto the dance floor”.
Read MoreAva Glendinning reviews “That’s the Gods Talking” from Winnipeg band Slow Spirit.
Read MorePenelope Stevens review Hex from Jon Mckiel, a “focused and generous offering” from the New Brunswick songwriter out via You’ve Changed Records.
Read MoreChris Lammiman reviews the new live record from British Columbia’s Empanadas Ilegales, Creepy Mambo: Rooftop Sessions.
Read MoreClay Geddert reviews Diamond Jubilee from Cindy Lee, an LP that “could land amongst the greatest indie albums of all time”.
Read MoreCheck out Chris Lammiman’s review of METZ new record Up On Gravity Hill, an LP that is “the result of a band that trusts itself enough to evolve”.
Read MoreCalgary scene staples Sunglaciers have released an album that synthesizes (in more than one sense) the spring-like power of mutability, liminality, and metamorphosis to create something fresh, exciting, and dynamic.
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