Chris Lammiman writes about the new record Shame from OMBIIGIZI, a record that creates a “sense of expansive welcome that does offer invitation into catharsis and beauty”.
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Chris Lammiman writes a review of Ontario songwriter and yes, national treasure, Jennifer Castle’s latest record Camelot.
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Penelope Stevens reviews the debut album Bird Brain from Edmonton’s Sean Davis Newton, an album that “would be as well-suited on a 2008 indie film soundtrack as in a 1930s cabaret”.
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Josiah Snell reviews the tantalizing new album from Ontario’s Christo Graham, the unreservedly brilliant Music For Horses.
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Jeff MacCallum writes about All Wilds Things Are Shy, the stunning posthumous release from songwriter Richard Laviolette.
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Josiah Snell reviews the "potent and delightful" new LP from The Secret Beach, the wonderfully titled We were born here, what's your excuse?.
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Ava Glendinning reviews the new release revery from Winnipeg's Theresa Thor.
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Chris Lammiman reviews the debut record from Edmonton’s Aladean Kheroufi, which offers “both a warm embrace and an invitation onto the dance floor”.
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Ava Glendinning reviews “That’s the Gods Talking” from Winnipeg band Slow Spirit.
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Penelope Stevens review Hex from Jon Mckiel, a “focused and generous offering” from the New Brunswick songwriter out via You’ve Changed Records.
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Chris Lammiman reviews the new live record from British Columbia’s Empanadas Ilegales, Creepy Mambo: Rooftop Sessions.
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Clay Geddert reviews Diamond Jubilee from Cindy Lee, an LP that “could land amongst the greatest indie albums of all time”.
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Check out Chris Lammiman’s review of METZ new record Up On Gravity Hill, an LP that is “the result of a band that trusts itself enough to evolve”.
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Calgary scene staples Sunglaciers have released an album that synthesizes (in more than one sense) the spring-like power of mutability, liminality, and metamorphosis to create something fresh, exciting, and dynamic.
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Penelope Stevens writes about Bizou from Mothland artist Alix Fernz, calling it “music for punks to dance to”.
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Jeff MacCallum reviews the seventh record, Eternity Mongers, from Canadian indie mainstay Michael Feuerstack.
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Ava Glendinning reviews Toil Boy from Winnipeg band Warming, an album that “transports listeners into a swirling nightlife alight with snapshots of triumph and mishap”.
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Sophie Noel reviews the latest “warm and candid” record from Ontario’s Homeshake, the 9-track CD Wallet.
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Josiah Snell writes about Scenic Route to Alaska’s new record Lasts Forever, a record that “balances its melancholy and hope with an easy confidence”.
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Chris Lammiman writes about the debut record from Ottawa’s Hot Mud, singing the praises of “a very honest and human record that is both witty and cathartic”.
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