Chris Lammiman writes about the new record Shame from OMBIIGIZI, a record that creates a “sense of expansive welcome that does offer invitation into catharsis and beauty”.
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Chris Lammiman writes a review of Ontario songwriter and yes, national treasure, Jennifer Castle’s latest record Camelot.
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Check out Chris Lammiman’s review of METZ new record Up On Gravity Hill, an LP that is “the result of a band that trusts itself enough to evolve”.
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Calgary scene staples Sunglaciers have released an album that synthesizes (in more than one sense) the spring-like power of mutability, liminality, and metamorphosis to create something fresh, exciting, and dynamic.
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Chris Lammiman writes about the debut record from Ottawa’s Hot Mud, singing the praises of “a very honest and human record that is both witty and cathartic”.
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On this Tuesday’s Pick of the Week, Chris Lammiman reviews When we were that what wept for the sea from saxophonist Colin Stetson.
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Check out Chris Lammiman’s review of the latest record from The New Pornographers.
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Check out this week’s “Pick of the Week” from Chris Lammiman, Paige Adrian, and Branton Langley.
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Check out this week’s “Pick of the Week” from Josalynn Lawrence, Chris Lammiman, and Branton Langley.
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Check out this week’s “Pick of the Week” from Chris Lammiman, Harman Burns, and Ev Bird.
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