Harman Burns reviews Hindsight is 50/50 from garage-psych purveyors of the “all important vibe”, Ghost Woman.

Nigel Young review Family Milk, an “example of true musicians continuing to do what they do best” from British Columbia’s Fever Feel.

Ava Glendinning reviews Set Your Pussy Free from Montreal’s NOBRO, calling it a blend of “garage- and classic rock sound with punk fervour, a Riot Grrl ethos, and a whipsmart sense of humour.”

Josiah Snell reviews BURY THE SORROW from Montreal’s Das Mörtal.

Penelope Stevens reviews Performances by Land of Talk, their “most direct, cathartic, and devastatingly personal record to date.”

Chris Lammiman writes about Faith Healer’s “rare gem” of a record, The Hand That Fits the Glove.

Krystle McGrath reviews the new record Skylines from Montreal’s Patrick Krief.

Harman Burns reviews Fruity Delights from Vancouver’s Void Puppet, an “auditory pleasure as infectious as it is gruesome”.

Gregory Torwalt reviews Rodeo Clown from the Nora Kelly band, “a joyful and pleasing collection of songs”.

Ben Lock reviews “I’d Be Lying If I Said I Didn’t Care”, the new “emotionally layered and sonically textured” album from Hannah Georgas.

Harman Burns reviews Not Dead Yet, the “tenderly triumphant album” by Rae Spoon.

Ben Lock reviews Spin by Sasha Cay, which he calls a “beautiful, moody and honest record”.

Kyra MacFarlane reviews Wisecrack from Haley Blais, “a memorable, and hard-hitting album”.

Kyra MacFarlane reviews the new self-titled record from Hillsboro, a “polished and perfectly produced album”.

Julie Maier reviews Astral Plains from Peace Flag Ensemble, an album that “is carefully composed, joyous, unpretentious, and altogether elegant”.

Ava Glendinning reviews the new EP from Winnipeg’s Merin, an “angsty, overdriven, and deeply enjoyable album”.

Nigel Young reviews the new record by Lethbridge’s Atomicos, which comes out this Friday, September 15th.

Kyra Heneghan-Smith publishes her first review for the Cups N Cakes Network, recommending Stacy Lloyd Brown’s fantastic new record for “anyone going through a change or needing a moment of peace”.

Frankie Undseth reviews Beyond the Uncanny Valley by Toronto rapper/producer/DJ Myst Milano, calling it an album that “pushes the boundaries of where genres meet and intermingle”.

Ben Lock reviews Particules Sainte-Barbe by the Quebec based band ce quis nous traverse, “one of the most exciting experimental acts in Canada”.