Harman Burns reviews 8 Tableaux from Cups N Cakes favourite Flore Laurentienne, calling it a “monumental, mesmerizing album”.
Read MoreHarman Burns reviews Scorpion Deathlock from The Golden Age of Wrestling, calling it “a truly spellbinding listening experience that is one-of-a-kind.”
Read MoreIn lieu of our usual Friday Quick Picks column, this week, we’re highlighting a couple releases that Slipped Through the Cracks in 2023. This week, Harman Burns writes about albums from The Dog Indiana and Test Card.
Read MoreAva Glendinning reviews Gold Control from JEEN, calling it “an album that shines with substance, emotion, and classic pop catchiness”.
Read MoreHarman Burns reviews Soapsud Clown from ACR, praising the EPs “scrappy, do-it-yourself spirit, and a rapidfire Dadaist sense of humor”.
Read MorePenelope Stevens reviews Swimming from New Brunswick duo Pallmer, saying it “stands tall as their best release by far, a cohesive and compelling album that can’t help but transport the listener through memory, imagination, and back to the present, quiet moment”.
Read MoreAva Glendinning reviews THE PSYCHICS ALBUM from Paige Drobot, saying it is “delivered with impressive musicianship and adventurous songwriting style”.
Read MoreHarman Burns reviews Hindsight is 50/50 from garage-psych purveyors of the “all important vibe”, Ghost Woman.
Read MoreNigel Young review Family Milk, an “example of true musicians continuing to do what they do best” from British Columbia’s Fever Feel.
Read MoreAva Glendinning reviews Set Your Pussy Free from Montreal’s NOBRO, calling it a blend of “garage- and classic rock sound with punk fervour, a Riot Grrl ethos, and a whipsmart sense of humour.”
Read MoreJosiah Snell reviews BURY THE SORROW from Montreal’s Das Mörtal.
Read MorePenelope Stevens reviews Performances by Land of Talk, their “most direct, cathartic, and devastatingly personal record to date.”
Read MoreChris Lammiman writes about Faith Healer’s “rare gem” of a record, The Hand That Fits the Glove.
Read MoreKrystle McGrath reviews the new record Skylines from Montreal’s Patrick Krief.
Read MoreHarman Burns reviews Fruity Delights from Vancouver’s Void Puppet, an “auditory pleasure as infectious as it is gruesome”.
Read MoreGregory Torwalt reviews Rodeo Clown from the Nora Kelly band, “a joyful and pleasing collection of songs”.
Read MoreBen Lock reviews “I’d Be Lying If I Said I Didn’t Care”, the new “emotionally layered and sonically textured” album from Hannah Georgas.
Read MoreHarman Burns reviews Not Dead Yet, the “tenderly triumphant album” by Rae Spoon.
Read MoreBen Lock reviews Spin by Sasha Cay, which he calls a “beautiful, moody and honest record”.
Read MoreKyra MacFarlane reviews Wisecrack from Haley Blais, “a memorable, and hard-hitting album”.
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